Programme:
Bach Mass in B Minor BWV 232

Performing with:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor Semyon Bychkov
soprano Miriam Kutrowatz
mezzosoprano Catriona Morison
tenor Benjamin Bruns
bass Christian Immler
chorusmaster Andrea Secchi

Among the highest creations of the human spirit (the work is inscribed in UNESCO’s Memory of the World register), the performance of Bach’s Mass in B minor is an unmissable event, a unique listening experience. In this great composition, Bach succeeded in synthesizing the main expressions of Christian thought, Catholic and Lutheran theology, into a single creation. On the podium is Semyon Bychkov, accompanied by a prestigious quartet of soloists.

Programme:
Bach Mass in B Minor BWV 232

Performing with:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor Semyon Bychkov
soprano Miriam Kutrowatz
mezzosoprano Catriona Morison
tenor Benjamin Bruns
bass Christian Immler
chorusmaster Andrea Secchi

Among the highest creations of the human spirit (the work is inscribed in UNESCO’s Memory of the World register), the performance of Bach’s Mass in B minor is an unmissable event, a unique listening experience. In this great composition, Bach succeeded in synthesizing the main expressions of Christian thought, Catholic and Lutheran theology, into a single creation. On the podium is Semyon Bychkov, accompanied by a prestigious quartet of soloists.

Programme:
Bach Mass in B Minor BWV 232

Performing with:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor Semyon Bychkov
soprano Miriam Kutrowatz
mezzosoprano Catriona Morison
tenor Benjamin Bruns
bass Christian Immler
chorusmaster Andrea Secchi

Among the highest creations of the human spirit (the work is inscribed in UNESCO’s Memory of the World register), the performance of Bach’s Mass in B minor is an unmissable event, a unique listening experience. In this great composition, Bach succeeded in synthesizing the main expressions of Christian thought, Catholic and Lutheran theology, into a single creation. On the podium is Semyon Bychkov, accompanied by a prestigious quartet of soloists.

Programme
Antonín Dvořák: Cello Concerto in B minor, Op. 104
Bedřich Smetana: Vyšehrad, Vltava, Šárka from the cycle of symphonic poems Má vlast

Performing with
Yo-Yo Ma, cello
Czech Philharmonic

Yo-Yo Ma joins the illustrious Czech Philharmonic as part of the worldwide Year of Czech Music celebration. Together they perform Dvořák’s towering final concerto—a masterpiece for which these artists are individually renowned. From its virtuosic cello passages and exquisite orchestration to its energetic, yet elegiac tone, it’s a thoroughly captivating piece to hear in concert. Semyon Bychkov also leads the orchestra in selections from Má Vlast (My Country), a singular symphonic cycle by Smetana, the 19th-century composer widely known as the “father of Czech music.”

Programme
Antonín Dvořák: Violin Concerto in A minor, Op. 53
Gustav Mahler: Symphony No. 5 in C sharp minor

Performing with
Gil Shaham, violin
Czech Philharmonic

In each of its three concerts this week, the inimitable Czech Philharmonic pairs an orchestral masterwork with one of Dvořák’s concertos, each featuring a superstar soloist. Tonight, the soloist is violin icon Gil Shaham, who performs the vibrant, Czech folk–infused Violin Concerto. Mahler’s Fifth Symphony follows, giving audiences a chance to experience the orchestra’s acclaimed interpretation under conductor Semyon Bychkov. Their 2022 recording of the Fifth was named Best Classical Record of 2022 by London’s The Times, which praised their “fine balance in this visionary work, a musical universe of dreams and prophecies in which Bychkov matches intelligent pacing with great-hearted warmth and sonic opulence with textural clarity.”

Programme
Antonín Dvořák: Piano Concerto in G minor, Op. 33
Leoš Janáček: Glagolitic Mass, cantata for vocal soloists, choir, orchestra and organ to an Old Church Slavonic text

Performing with
Daniil Trifonov piano

Lyubov Petrova soprano
Lucie Hilscherová mezzo-soprano
Aleš Briscein tenor
David Leigh bass
Daniela Valtová Kosinová organ

Prague Philharmonic Choir
Lukáš Vasilek choirmaster

Czech Philharmonic

Once per decade, music lovers worldwide are treated to a major musical event: the Year of Czech Music. Carnegie Hall celebrates the festival’s 100th anniversary with an extraordinary series of concerts—including three performances by the Czech Philharmonic with superstar guests. Tonight, for its final performance, the orchestra welcomes beloved pianist Daniil Trifonov to perform Dvořák’s imaginative, sole Piano Concerto. The great Prague Philharmonic Choir and soloists then fill the Hall with Janáček’s monumental Glagolitic Mass, a “festive, life-affirming, pantheistic” work that the composer wrote to celebrate the spirit of the Czech nation.

Programme
Antonín Dvořák: Piano Concerto in G minor, Op. 33
Bedřich Smetana: Vyšehrad, Vltava, Šárka from the cycle of symphonic poems Má vlast

Performing with
Daniil Trifonov piano
Czech Philharmonic

For over a century, the Czech Philharmonic is one of the great orchestras of Europe and has represented the pinnacle of Czech cultural achievement. In 1896, Antonín Dvořák conducted the orchestra’s debut performance at the Rudolfinum, still home to the orchestra’s Prague concerts. Led by renowned conductor Semyon Bychkov, the orchestra will perform two evenings of works by Dvořák, Smetana, and Mahler for their Koerner hall debuts.

Chief Conductor and Music Director of the Czech Philharmonic, Semyon Bychkov’s season started in Prague with the official concert to mark the Czech Republic’s Presidency of the EU and continued at the Dvořák Prague International Music Festival with concert performances of Dvořák’s Rusalka. Now in his sixth season, Semyon Bychkov’s relationship with the Orchestra has become noticeably deeper with extraordinary performances of the great Czech masters running in parallel with a much-acclaimed Mahler cycle, and memorable performances of Rachmaninov, Shostakovich, Strauss, Schumann, and Beethoven.

Grammy Award-winning pianist Daniil Trifonov has made a spectacular ascent of the classical music world, as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. He has been described as “the most astounding pianist of our age” (The Times).

Programme
Antonín Dvořák: Violin Concerto in A minor, Op. 53
Gustav Mahler: Symphony No. 5 in C sharp minor

Performing with
Jan Mráček, violin
Czech Philharmonic

For over a century, the Czech Philharmonic is one of the great orchestras of Europe and has represented the pinnacle of Czech cultural achievement. In 1896, Antonín Dvořák conducted the orchestra’s debut performance at the Rudolfinum, still home to the orchestra’s Prague concerts. Led by renowned conductor Semyon Bychkov, the orchestra will perform two evenings of works by Dvořák, Smetana, and Mahler for their Koerner hall debuts.

Chief Conductor and Music Director of the Czech Philharmonic, Semyon Bychkov’s season started in Prague with the official concert to mark the Czech Republic’s Presidency of the EU and continued at the Dvořák Prague International Music Festival with concert performances of Dvořák’s Rusalka. Now in his sixth season, Semyon Bychkov’s relationship with the Orchestra has become noticeably deeper with extraordinary performances of the great Czech masters running in parallel with a much-acclaimed Mahler cycle, and memorable performances of Rachmaninov, Shostakovich, Strauss, Schumann, and Beethoven.

Czech violinist Jan Mráček began studying violin at the age of five and has performed as a soloist with the Kuopio Symphony Orchestra and Romanian Radio Symphony, both under Sascha Goetzel, Lappeenranta City Orchestra (Finland), Czech National Symphony Orchestra, Prague Symphony Orchestra (FOK), Janáček Philharmonic Orchestra, and almost all Czech regional orchestras. “Mráček, gifted with phenomenal musicality, is able to give the content of every single phrase, every motif.” (Harmony Magazine)